Effects For Guitarists – See This In-Depth Guitar Effects Pedals Article In Regards To Guitar Effects.

We're going to try to provide a quick consider the major varieties of guitar effects pedals. Within part 1 we'll cover the basic principles.

We realize there are a million internet sites offering insight for this topic, nonetheless its been our experience that they're authored by engineers, not musicians... they read like microwave manuals rather than a helpful resource... Anyway... off we go.


I can't really milk more than a few lines out of this topic. It's pretty cut and dry- an enhancement pedal can give your signal a volume boost - or cut, for the way you've got it set. Most boost pedals serve as a master volume control enabling you a fairly wide variety of use.

How come I needed a boost pedal? To take your guitar volume up over the other band during the solo, to drive your amp harder by feeding it a hotter signal, to have a set volume change at the press of the mouse.


When most guitarists speak about overdrive, these are referring to the smooth 'distortion' produced by their tube amps when driven to the point of breaking apart. Overdrive pedals are made to either replicate this tone (with limited success) or drive a tube amp into overdrive, creating those screaming tubes beyond whatever they normally would be able to do without wall shaking volume.

Why do I need an overdrive pedal? Overdrive pedals can be used as a boost pedal- which means you get those inherent benefits, you'll acquire some added girth for your tone from your distortion produced by the pedal. Most overdrive pedals have tone control giving you wider tone shaping possibilities.


Based on our above concise explanation of overdrive, distortion is when overdrive leaves off. From the rock guitar world think Van Halen and beyond for a clear example of distorted guitar tone. Distortion pedals often emulate high gain amps that produce thick walls of sound small tube amps are not able to creating. If you're lucky enough to have a large Marshall, Mesa Boogie, Diezel or another monster amplifier to generate your distortion you will possibly not need a distortion pedal. But all through us mere mortals, rock guitar effects are necessary to modern guitar tone.

How come I need a distortion pedal? You need to be relevant don't you? In spite of large amps, like those mentioned above, distortion pedals play an integral role in modern music. They provide flexibility that boosts and overdrives can not rival.


God bless Ike Turner as well as the Kinks. Both acts achieved their landmark tones by using abused speaker cabinets. Ike dropped his in the street walking straight into Sun Records to record Rocket 88, the Kinks cut their speakers with knives roughly the legends already have it. Irrespective of how they got it, their tone changed the entire world. Some consider it distortion, some think of it fuzz, however, seeing the progression from the damaged speakers on the fuzz boxes manufactured to emulate those tones, I do believe its safest to call what Turner and Davies created/stumbled upon was fuzz.

Exactly why do I needed a fuzz pedal? Ya like Hendrix, don't ya? In all honesty, the fuzz pedal is seeing resurgence in popular music nowadays. Bands like Nine Inch Nails, Marilyn Manson, Muse and also the White Stripes rely heavily on classic designs on recent releases.


The task of a compressor is always to deliver an even volume output. It makes the soft parts louder, as well as the loud parts softer. Current country music guitar tone is driven by means of compression.

Why do you really need a compressor? Improved sustain, increased clarity during low volume playing.



The earliest "flanger" effects were produced in the studio by playing 2 tape decks, both playing exactly the same sounds, while an engineer would decrease or accelerate the playback of among the dupe signals. This is how you can produce wooshing jet streams. The edge of the old school tape reels is named the flange.

Exactly why do I need a flanger? A flanger will offer you a whole new color to the tonal palette. You can accept out one, but you'll never get several of the nuance coloring of the Van Halen's, Pink Floyd's, or Rush's on the planet.

Phase shifter

The phase shifter bridges the gap between Flanger and Chorus. Early phasers were supposed to recreate the spinning speaker of a Leslie. Phase shifting's over use can be heard all around the first few Van Halen albums.

So why do I needed a phase shifter? See Flangers answer.


Chorus pedals split your signal in 2, modulates one of those by slowing it down and detuning it, then mixes it back using the original signal. The result should really sound dexspky30 several guitarists playing the exact same thing concurrently, causing a wide swelling sound, but I don't listen to it. You need to do have a thicker more lush tone, nevertheless it doesn't sound like a chorus of players for me.

Why do I needed a chorus? Because Andy Summers uses one, and Paul Raven says so... that ought to be suitable.


Like a kid, do you ever fiddle with the quantity knob around the TV or maybe the radio manically turning it up and down? Yeah? Well you have been a tremolo effect.

Why do I want a tremolo pedal? 6 words for ya: The Smiths 'How Soon Is Now'


A delay pedal results in a copy of an incoming signal and slightly time-delays its replay. You can use it to make a "slap back" (single repetition) or even an echo (multiple repetitions) effect. Who amongst us can't appreciate The Edges consumption of effects for guitarists delay throughout U2s career?

So why do I needed a delay pedal? See Flangers answer.


A variable band-pass frequency filter... Screw everything that- do you know what a wah wah is... its po-rn music! It's Hendrix! It's Hammett. It's Wylde. It's Slash.

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